Automatic Orchestra Control, later renamedĪutomatic Organ Computer, came on the scene in 1963. In 1961, Lowrey’s first home organ with a built-in Leslie speaker appeared as the Holiday Deluxe Model LSL. The Glide dropped the pitch of the organ about a semi-tone and cancelled the vibrato. Of a trombone, the glissando of singing strings and the effect of a calliope. In 1956, the Glide, a foot switch located on the left side of the expression pedal, was introduced, permitting the effects of a Hawaiian guitar “glide”, the smear Unlike the B-3, the Festival had its speakers mounted under the tone generator. The Festival Model FL, also from 1959, was a full console with no bottom like a Lincolnwood 25 Model SSO-25 with two full 61-note manuals and a 25-note pedalboard. Another spinet model at the same time was the Lincolnwood Model SS, but in 1959, this would become the
It had two 44-note manuals and aġ3-note pedalboard, and was very popular for home use. In 1955, Lowrey came out with its first commercially successful electronic organ. Unlike the Solovox, which used unconventional stop terminology, the Organo used conventional stop names like Flute, Principal, etc. This was a very successful and briskĬompetitor of the Hammond Solovox. In 1941, Lowrey put on the market the famous Organo, an organ-like keyboard placed on the front of a piano keyboard. In the late 1940s, the Eccles-Jordan circuit was developed, a very stable generator that was a Lowrey exclusive. In 1906, when the vacuum tube was invented, research into the art of electronic music began almost immediately.įrederick Lowrey produced a working model of an electronic organ in 1918, and until World War II, experimented with many different tone-generating systems
0 kommentar(er)
